Rich Mr. Dashwood dies, leaving his second wife and her daughters poor by the rules of inheritance. Two daughters are the titular opposites.
Christmas enthusiast party planners Ella and her sister, Marianne, clash with their client, Edward, who is a not-so-jolly toy company CEO.
A twist on the classic Jane Austen novel.
Adaptation of the Jane Austen novel.
As two heavily made-up women take turns directing each other and submitting to each other's kisses and caresses, it becomes increasingly obvious that the camera is their main point of focus. Read against feminist film theory of the "male gaze", the action becomes a highly charged statement of the sexual politics of viewing and role-playing; and, as such, is a crucial text in the development of early feminist video. "This video is Benglis's emphatic response to the notion of a distinctly feminine artistic sensibility and to the belief in a necessary lesbian phase in the women's movement—ideas that were often debated in the early 1970s." —Susan Krane, "Introduction", Lynda Benglis: Dual Natures (Atlanta: High Museum of Art, 1991) -http://www.vdb.org/titles/female-sensibility
A coming-of-age story revolving around an eccentric genius, an impulsive girl and their classmates of varying personalities.
Interview with Professor Dana Polan about Letter from an Unknown Woman by Max Ophuls
Marianne Dashwood wears her heart on her sleeve when she falls in love with the charming but unsuitable John Willoughby, ignoring her sister Elinor's warning that her impulsive behavior leaves her open to gossip and innuendo. Elinor, sensitive to social convention, struggles to conceal her own romantic disappointment, even from those closest to her. Will the sisters learn that sense must mix with sensibility if they are to find personal happiness in a society where status and money govern the rules of love?
Sex & Sensibility is an RTÉ television series which reflects on changing attitudes to sex in Ireland. The four-part series was presented by Simon Delaney. Directed by Imogen Murphy, it was filmed in April and May 2008 on location in Dublin. It was broadcast in June and July 2008. Features included some commentary from Bill O'Herlihy, Mary O'Rourke, Michael McNiff, Claire Tully, John Kelleher and night club owners Valeria Roe and Maurice Boland. The series reflected on the changes that had taken place in Ireland since the 1960s, an era when the sexual revolution had not yet reached the shores of the island. It showed how television had played a major part in "loosening everyone up" and altered Irish society "from a gloomy 'Irish Taliban'-style theocracy to the nation of fun-loving sex maniacs we are today". Terry Prone demonstrated her view that soaps, rather than "dusty old current affairs programmes", had been central to social change. The Riordans caused scandal when one of the characters, named Maggie, went on the pill. The "contraceptive train" to Belfast was also focused on, evoking memories of an era when the devices were illegal in the Republic of Ireland, prompting people to travel to Northern Ireland to stock up on their contraceptive needs. Also featured was The Late Late Show and the uproar it caused when it gave airtime to a group of lesbian nuns, Bill Hughes, who spoke about the underground gay scene in Ireland, Senator David Norris having his sexuality called into question when he was asked if he was "sick" by a TV presenter, the Leeson Street clubbing scene in its early years and Toni the Exotic Dancer, a housewife from Tallaght, Dublin who flashed her ample bosom for the crowds who thronged the urban pubs after mass. Video of protesters with portable Virgin Mary statues at work outside the RTÉ studios were also shown.
A story of two sisters attempting to find happiness in the tightly structured society of 18th century England. Elinor, disciplined, restrained and very conscious of the manners of the day, represents sense. Outspoken, impetuous, emotional Marianne represents sensibility.
How the Art Nouveau movement flourished in the burgeoning cities of Europe at the end of the 19th century.