Three siblings Danny, Art and Grace are now well settled with their respective families, in widely contrasting lifestyles. The one common thing that binds them loosely together is the love that their mother Dolores "Loleng" Rosales holds for all of them and her grandchildren, albeit expressed in varying ways and degrees, but always equally nurturing and self-giving. Much as they are held together by her, they are in turn separated by physical distance and the sad legacy left behind by their deceased, erstwhile strong-willed, patriarchal father.
A hilarious satire of people who have suddenly become rich. Mariano (Pugo) and Andres (Togo) are balut (duck embryo) vendors who fortuitously save Rosa's (Rosa Rosal) life. They adopt her and care for her as their own daughter. Armando (Jaime de la Rosa) is a rich suitor who falls in love with Rosa, although his father cannot accept her poverty. But Rosa turns out to be the orphaned daughter of a rich couple.
The film is about the robbery attempt of a journalist known for his clumsiness. Yaman, despite being clumsy, is a courageous journalist. No one takes her seriously except Gül in the newspaper she works for. Everybody makes fun of him. Gül is in love with him.
Oriental fantasy derived from classic Parsee theatre. The heir to the Yemeni throne, Prince Parviz, is falsely imprisoned by his stepmother who claims power. Parviz receives a magic dagger from a mystic sufi fakir to liberate himself and his people. The dagger makes him invisible. He kills the Apeman and the genii, rescues the captive Princess Parizad and, finally, overwhelms the soldiers sent to recapture him. The king learns the truth and repents.
In a malicious world of ruthless politicians and gangsters, a common man develops a dream to make it big in politics and takes on a few big shots.
Directed by Atef Salem.
Aurora (Yamandu Costa) Tareco No. 2 (Yamandu Costa) Valsa No. 1 (Baden Powell) Paz de Maria (Yamandu Costa) Besteira (Yamandu Costa) Tango Amigo (Yamandu Costa) Sanfonema (Toninho Ferraguti) Susto (Yamandu Costa) Yamamé (Yamandu Costa) Suíte Retratos – 1o. Movimento (Pixinguinha / Radamés Gnattali) Nuages (Django Reinhardt) Taquito Militar (Mariano Mores) Vou Deitar e Rolar (Baden Powell / Paulo César Pinheiro) Disparada (Theo de Barros / Geraldo Vandré) Extra: Sampa (Caetano Veloso)
Documentary about classical japanese painting.
Tokyo Family Court judicial research official Akira Yamanobo is in charge of Tetsuo and Ayano Katase's divorce arbitration. Ayano, the wife, who works for a boutique company, insists her husband is involved with another woman. Supported by her employer Kotomi Saegusa, the company president, she demands a divorce as soon as possible. On the other hand, her husband Tetsuo, a trading professional, denies having a relationship with a woman. He says he will not agree to the divorce and does not plan to let his only son Kenta go, so the arbitration continues. According to Akira's investigation, Ayano gave birth to Kenta as a single mother five years ago when she was working as a hospital clerk, making him Tetsuo's stepson. Tetsuo loves Kenta as his own child, so Akira doesn't understand why Ayano is so insistent on getting a divorce. However, Tetsuo's insistence on not giving up custody of his stepson Kenta is also very unusual.
Longtime friends Ronny and Nick are partners in an auto-design firm. They are hard at work on a presentation for a dream project that would really launch their company. Then Ronny spots Nick's wife out with another man, and in the process of investigating the possible affair, he learns that Nick has a few secrets of his own. As the presentation nears, Ronny agonizes over what might happen if the truth gets out.
The Acorns and the Wildcat is a unique short film in picture-book format from the creator of Night on the Galactic Railroad and Gauche the Cellist. Unusually for an anime, a narrator reads Kenji's story aloud while the action is played out on the screen by a succession of warm and evocative illustrations brought to life by subtle touches of animation. If the film feels somehow familiar yet you can't put your finger on the reason why, it's probably the sumptuously minimalist animation by Yasuhiro Nagura, who was the animation director of Mamoru Oshii's artsy 1986 feature Angel's Egg. That, and Kenji's wildcat is said to have been the inspiration for Miyazaki's Panda/Totoro creature. The idea of reading Kenji's story aloud instead of playing it out as a drama is quite refreshing, and Kenji's magical language and narrative style are entirely sufficient to sustain interest. Combined with the spacey music and breathtaking art, the result is a pleasantly unassuming little gem of a film.
Chihiro Yamanaka - Live In Sogetsu Hall, Tokyo, June 23, 2007
Oru Yamandan Prema Kadha takes us into the world of a spirited youngster named Lallu and his colorful gang of friends.
Chihiro Yamanaka - Live In New York
Soldiers on the front lines in China during World War II are besieged by guerrilla attacks and attempt to destroy an enemy fort.
Chihiro Yamanaka Somethin' Blue Quintet - Live At Blue Note Tokyo
The Fantastic Mr. Fox bored with his current life, plans a heist against the three local farmers. The farmers, tired of sharing their chickens with the sly fox, seek revenge against him and his family.
Tanging Yaman was a Filipino political drama program that aired in ABS-CBN Primetime Bida.
Ang Yaman ni Lola is a weekday Comedy-Reality show and aired over GMA Network and produced by GMA News and Public Affairs. It is the counterpart of ABS-CBN's noontime variety show Pilipinas Win Na Win. The show features Nanette Inventor as Lola Barbie, a rich and generous old widow who shares her wealth by hiring workers every week. The workers are real people from different professions chosen via audition. Every week, new challenges will be given by Lola Barbie and the most efficient worker of the week will receive P100,000. The show premiered on August 23, 2010 and officially ended on January 7, 2011.
Yamaneko is notoriously elusive, but wherever he shows up, enormous amounts of money gets stolen. Evidence of the audacious crime is left scattered all over the place. In every episode, Yamaneko the hero thief throws a splash of “rotten justice” in your face. Pretentiously calling himself a “genius thief,” Yamaneko is arrogant and acts like he's the king of the world. Everything he does is bold and daring, but he remains elusive. There is indeed no match for Yamaneko. He goes by one creed alone—“I will steal but I won’t deprive.” Why does he steal? Just what is he all about?